View full screen - View 1 of Lot 30. Venice, View of the Grand Canal Looking East with Santa Maria della Salute.

Giovanni Antonio Canal, called Canaletto

Venice, View of the Grand Canal Looking East with Santa Maria della Salute

Estimate

6,000,000 - 8,000,000 USD

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Lot Details

Description

Giovanni Antonio Canal, called Canaletto

Venice 1697 - 1768

Venice, View of the Grand Canal Looking East with Santa Maria della Salute


oil on canvas

18 ¾ by 31 ¼ in.

47.6 by 79.4 cm

With Caspari Gallery, Munich;

From whom acquired by Colnaghi, London, 1926;

From whom acquired by Leggatt Bros., London, 1927;

From whom acquired by Mrs. Whitelaw Reid (née Elizabeth Mills, 1858-1931), Ophir Hall, Purchase, New York, 1928;

Her estate sale, American Art Association and Anderson Galleries, New York, 14-18 May 1935, lot 1157;

Where acquired by Julius H. Weitzner, New York, for $1,300;

From whom acquired by the Minneapolis Institute of Arts, 1938 (inv. no. 38.9);

From whom bought back by Julius H. Weitzner, New York, 1958;

With Rosenberg & Stiebel, New York;

From whom acquired by the Metropolitan Museum of Art, New York, with funds provided by the George T. Delacorte, Jr. Fund, 1959 (inv. no. 59.38);

By whom sold ("Property from the Metropolitan Museum of Art, Sold to Benefit the Acquisition Fund"), Sotheby's, New York, 29 January 2020, lot 64;

Where acquired by the present collector.

San Francisco Museum of Art, Survey of Landscape Painting, 2–30 June 1936, no. 8 (lent by Julius H. Weitzner Galleries, New York);

San Francisco, California Palace of the Legion of Honor, Italian Baroque Painting, 17th and 18th Centuries, 16 May – 15 June 1941, no. 9 (lent by the Minneapolis Institute of Arts);

New York, The Metropolitan Museum of Art, Venetian Paintings in the Metropolitan Museum, 1 May – 2 September 1974;

Athens, National Gallery; Alexandros Soutsos Museum, From El Greco to Cézanne, 13 December 1992 – 11 April 1993, no. 32 (lent by the Metropolitan Museum of Art);

Oklahoma City Museum of Art, La Serenissima: Eighteenth-Century Venetian Art from North American Collections, 9 September 2010 – 2 January 2011, no. 35;

Tokyo Metropolitan Art Museum; Beijing, National Museum of China, Earth, Sea, and Sky: Nature in Western Art: Masterpieces from The Metropolitan Museum of Art, 6 October 2012 – 9 May 2013, no. 125.

"Furniture and Art of Whitelaw Reid Realize $290,322," in Art News 33, no. 34 (25 May 1935), p. 14;

San Francisco Museum of Art, Survey of Landscape Painting, San Francisco 1936, n.p., cat. no. 8;

California Palace of the Legion of Honor, Exhibition of Italian Baroque Painting, 17th and 18th Centuries, exhibition catalogue, San Francisco 1941, pp. 12, 60, cat. no. 9, reproduced;

"Canaletto's Venice," in Bulletin of the Minneapolis Institute of Arts 27, no. 29 (5 November 1938), pp. 147-149, 152, reproduced;

W. G. Constable, Canaletto: Giovanni Antonio Canal, 1697-1768, Oxford 1962, vol. II, p. 257, cat. no. 175; and later editions revised by J.G. Links, Oxford 1976 and 1989, vol. II, p. 271, cat. no. 175;

L. Puppi, The Complete Paintings of Canaletto, New York 1968, p. 111, cat. no. 237C;

B.B. Fredericksen and F. Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge 1972, pp. 42, 609;

F. Zeri and E.E. Gardner, Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art, Venetian School, New York 1973, p. 14, reproduced pl. 13;

K. Baetjer, European Paintings in the Metropolitan Museum of Art, by Artists Born Before 1865: A Summary Catalogue, New York 1980, vol. II, p. 135, reproduced;

J.G. Links, Canaletto. The Complete Paintings, St. Albans 1981, p. 26, under cat. no. 60;

A. Corboz, Canaletto: Una Venezia immaginaria, Milan 1985, vol. II, p. 656, cat. no. P334;

N.H.J. Hall (ed.), Colnaghi in America: A Survey to Commemorate the First Decade of Colnaghi New York, New York 1992, p. 131;

A. Tamvaki, in From El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and the Metropolitan Museum of Art, New York, exhibition catalogue, Athens 1992, n.p., cat. no. 32, reproduced;

K. Baetjer, European Paintings in the Metropolitan Museum of Art, by Artists Born Before 1865: A Summary Catalogue, New York 1995, p. 91, reproduced;

A. Derstine, in La Serenissima: Eighteenth-Century Venetian Art from North American Collections, exhibition catalogue, Oklahoma City 2010, pp. 109, 115 notes 23 and 25, 124-125, 191, cat. no. 35, reproduced;

K. Baetjer, in Earth, Sea, and Sky: Nature in Western Art; Masterpieces from the Metropolitan Museum of Art, exhibition catalogue, P. Barnet, A. Nakahara, and N. Kakehi (eds.), Tokyo 2012, pp. 192, 194-195, 260, cat. no. 125, reproduced; Chinese ed., Hefei Shi 2013, pp. 276-277, cat. no. 125, reproduced.