Masterpieces of Asian Art from the Okada Museum of Art

Masterpieces of Asian Art from the Okada Museum of Art

View full screen - View 1 of Lot 1106. An enamelled stoneware dish, signed on the base Kenzan (Ogata Kenzan, 1663-1743) Kenzan ware, Kyoto, Edo period, early 18th century | 尾形乾山 色絵春草図角皿　江戸時代中期　18世紀初頭　「乾山」(銹絵銘).

An enamelled stoneware dish, signed on the base Kenzan (Ogata Kenzan, 1663-1743) Kenzan ware, Kyoto, Edo period, early 18th century | 尾形乾山 色絵春草図角皿　江戸時代中期　18世紀初頭　「乾山」(銹絵銘)

Session begins in

November 22, 06:00 AM GMT

Estimate

200,000 - 300,000 HKD

Lot Details

Description

An enamelled stoneware dish

Signed on the base Kenzan (Ogata Kenzan, 1663-1743)

Kenzan ware, Kyoto, Edo period, early 18th century


the rectangular stoneware dish with high sides, painted in coloured underglaze enamels on a finely crackled cream ground, with spring foliage, including bracken shoots (warabi) and irises, the sides of the exterior with Korin-style swirling waters, iron-oxide under transparent glaze rim, signed on the flat base in underglaze iron-oxide, accompanied with a fitted wood storage box

26.2 x 23.8 x 4.6 cm. 

Rimpa meihinten [Rimpa: The Debut of Essential Rimpa Masterpieces in the Okada Museum of Art Collection], Mitsukoshi (Nihonbashi), Tokyo, 2015, cat. no. 38.

Rimpa no seika [The Essence of Rimpa], Okada Museum of Art, Hakone, 2015, cat. no. 32.

Ninsei & Kenzan, Okada Museum of Art, Hakone, 2017, no. 43.

Mitsuoka Tadanari, Toji taikei [Compendium of Ceramics], vol. 42, Tokyo, 1973, pl. 84.

Richard Wilson and Saeko Ogasawara, Ogata Kenzan zensakuhin to sono keifu [Ogata Kenzan: His Life and Complete Works], vol. 1, Tokyo, 1992, pl. 249.

Richard Wilson and Saeko Ogasawara, Ogata Kenzan zensakuhin to sono keifu [Ogata Kenzan: His Life and Complete Works], vol. 2, Tokyo, 1992, pl. 297

Kenzan adapted the kakuzara, or cornered dish from a lacquer or woodware model. It was the perfect medium for Kenzan’s painterly motifs. Such dishes were probably intended for serving light snacks during the tea ceremony. Decorated with spring foliage and vegetation, this dish would likely have been used to serve seasonal delicacies. 

 

For comparison, there is another square dish with a similar design in the style of Kenzan in the collection of the Metropolitan Museum of Art (The MET), accession number, 2015.300.269, go to:

https://www.metmuseum.org/art/collection/search/77863


展覽

《琳派名品展》，三越（日本橋），東京，2015年，編號38

《琳派の精華》，岡田美術館，箱根，2015年，編號32

《仁清と乾山 -京のやきものと絵画-》， 岡田美術館，箱根，2017年，展覽編號43（沒載圖）

《花鳥風月 名画で見る日本の四季》，岡田美術館，箱根，2022年，展覽編號18 （沒載圖）

《特集展示 生誕360年記念 尾形乾山》，岡田美術館，箱根，2022年，展覽編號14（沒載圖）


出版

滿岡忠成，《陶瓷大系》，卷24， 東京，1973年，圖版84

Richard Wilson及小笠原佐江子，《尾形乾山 : 全作品とその系譜》 ，卷1，東京 ，1992年，圖版249

Richard Wilson及小笠原佐江子，《尾形乾山 : 全作品とその系譜》 ，卷2，東京 ，1992年，圖297


乾山自漆器或木器原型中汲取靈感，將「角皿」造型轉化於陶藝創作。此類器皿堪稱承載乾山繪畫性紋樣的完美媒介，很可能原為茶道中盛裝輕食而製。此器飾以春日草木紋樣，當是用以呈奉應季茶點。


可資比對者，紐約大都會藝術博物館藏有一件形制相近的方形角皿，同屬乾山風格作品，典藏編號2015.300.269，詳見：https://www.metmuseum.org/art/collection/search/77863

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