View full screen - View 1 of Lot 620. An allegory of Autumn: Vertumnus and Pomona.

Collection of Baron and Baronne Bertrand de Giey

Peter Ykens, Jan Pauwel Gillemans the Younger and Peter Rysbrack

An allegory of Autumn: Vertumnus and Pomona

Estimate

25,000 - 35,000 GBP

Lot Details

Description

Collection of Baron and Baronne Bertrand de Giey


Peter Ykens

Antwerp 1648–1695

and

Jan Pauwel Gillemans the Younger

Antwerp 1651–1704

and

Peter Rysbrack

Antwerp 1655–1729

Allegory of Autumn: Vertumnus and Pomona


signed by all three artists (lower right and lower left): P . ŸKENS; J.P. Gillemans; P . Rysbrack

oil on canvas

unframed: 70.4 x 88 cm.; 27¾ x 34⅝ in.

framed: 89.5 x 107.1 cm.; 35¼ x 42⅛ in.

With Jan Muller Antiquair, Brussels;

From whom acquired by the Baron and Baronne de Giey;

Thence by descent.

The subject of Vertumnus and Pomona is taken from Ovid's Metamorphoses (XIV, 642). Pomona, the goddess of gardens, whose devotion to nature left no time for love, was courted by Vertumnus, the god of the seasons, in a variety of disguises, including – as here – that of an old woman, in whose guise he finally gained her confidence.


This work is an example of the kind of collaborative painting that became a hallmark of seventeenth-century Flemish art: the figures were painted by Peter Ykens, the fruit by Jan Pauwel Gillemans the Younger – as well as the guinea pigs lower left, which are commonly found in his work – and the architectural setting by Peter Rysbrack.