View full screen - View 1 of Lot 1780. Palladio, Coryciana, Rome, 1524, contemporary Roman brown sheep.

Palladio, Coryciana, Rome, 1524, contemporary Roman brown sheep

Estimate

6,000 - 8,000 GBP

Lot Details

Description

PALLADIO, BLOSIO. Coryciana. Rome: Ludovico Arrighi and Lautizio Perugino, July 1524


A collection of 399 poems by some 130 poets belonging to the sodality of Johann Goritz (Corytius), a registrar of supplications and papal protonotary in Rome. In 1512 he had dedicated an altar in the church of S. Agostino and each year on the feast day of Saint Anne (26 July) festive dinners were held at which poetic hymns and prayers were circulated. The first part of the Coryciana contains epigrams celebrating Goritz’s generosity and the sculptural altar (by Andrea Sansovino) and fresco (by Raphael) he commissioned for the church; the second, hymns and prayers to Saint Anne; and the third and last, praises of Goritz and his hospitality. It is supposed that the poems were attached to screens placed around the altar and that this anthology by Blosio Palladio (Biagio Pallai) gathers only a small proportion.


The present copy has an inked-over early modern ownership inscription ("Guilielmi Nicolai") and a manuscript list of 128 of the 130 authors who contributed to the book, entitled "Poetae Coricii", on the lower endleaf. This copy has British provenance stretching back to at least the eighteenth century, and according to a note on the front free endpaper, dating from 1722, it was acquired as part of a "Dutch Auction" (an auction format where the auctioneer starts with a high asking price and moves downward, with the first bidder winning the lot).

4to (202 x 137 mm). Italic type, swash capitals, 22 lines. collation: A-Z4 2A-2M4 (2F2 blank): 136 leaves. Printed guide letters, 1 page manuscript index in an early modern hand on endleaf. (A dozen leaves with small brown stain at inner margin.)


binding: Contemporary Roman brown sheep (210 x 144 mm), tooled in blind, frame of repeated circular arabesque, surrounded by rosettes and peacock eye tools, central panel with rosettes in angles, and a vertical pattern of 3 superimposed crosses formed by peacock eye tools, traces of 4 pairs of fabric ties, plain edges. (Extremities rubbed.)


provenance: "Guilielmi Nicolai", inked over early modern ownership inscription on half-title, and manuscript list of authors in same hand to lower endleaf—"All. H. Dutch Auction G[uineas]/16—S[hillings]/10", eighteenth-century note on front free endpaper, dated "1722" in a different hand—Barons Harlech, by descent to 7th Baron, his sale, Bonhams, London, 29 March 2017, lot 253. acquisition: Purchased at the preceding sale. references: USTC 800525; Edit16 CNCE 13614