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Property from the Emily Fisher Landau Collection

Ed Ruscha

Gasoline Stations (8 photographs)

Lot closes

October 23, 06:16 PM GMT

Estimate

50,000 - 70,000 USD

Starting Bid

45,000 USD

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Lot Details

Description

Property from the Emily Fisher Landau Collection

Ed Ruscha

b. 1937

Gasoline Stations 


(Los Angeles: Self-published, an edition of 25 plus 8 artist's proofs) 8 (of 10) gelatin silver prints, each flush-mounted, stamped with the title and edition '1/25' on the reverse, framed, Fisher Landau Center labels on the reverse; together with the printed title page, signed, dated and editioned ‘1/25’ in pencil, and gray linen portfolio box with orange lettering

images to: 8⅛ by 17¼ in. (20.6 by 43.8 cm.)

frames: 21 by 24½ in. (53.3 by 62.2 cm.)

Executed in 1962, printed in 1989.

Robert Miller Gallery, New York

Acquired from the above in 1990 by the present owner

New York, Fisher Landau Center for Art, Shared Vision: Photographs from the Collections of Emily Fisher Landau and Anne E. and M. Anthony Fisher, October 1998 - November 1999

New York, Fisher Landau Center for Art, Legacy: Selections from Emily Fisher Landau's Gift to The Whitney Museum of American Art, June - September 2011

New York, Fisher Landau Center for Art, Legacy: Photographs from Emily Fisher Landau's Gift to The Whitney Museum of American Art, November - March 2014

David Hickey and Peter Plagens, The Works of Edward Ruscha (San Francisco, 1982), p. 33 (Standard Amarillo, Texas illustrated)

Yve-Alain Bois, Edward Ruscha: Romance With Liquids, Paintings 1966-1969 (New York, 1993), p. 20, (Self Service Milan, New Mexico illustrated)

Edward Ruscha: Editions 1959-1999, Catalogue Raisonné, Vol. 1 (Minneapolis, 1999), p. 53-55, nos. 187-196

Ed Ruscha (Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 2000), p. 29 (Standard Station, Amarillo, Texas; Knox Less, Oklahoma City, Oklahoma illustrated)

Sylvia Wolf, ed., Visions from America: photographs from the Whitney Museum of American Art, 1940-2001, (New York: Whitney Museum of American Art, 2002), p. 36 (Standard, Amarillo, Texas illustrated)

Richard D. Marshall, Ed Ruscha (London, 2003), pp. 66-7

The individual plates are as follows: 

Shell, Daggett, California

Phillips 66, Flagstaff, Arizona

Texaco, Jackrabbit, Arizona

Dixie, Lupton, Arizona

Self Service, Milan, New Mexico

Standard, Amarillo, Texas

Knox-Less, Oklahoma City, Oklahoma

Fina, Groom, Texas


This group is lacking the prints of Flying A, Kingman, Arizona and Union, Needles, California, as originally issued with the portfolio.