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Art House: The Collection of Chara Schreyer

Diane Arbus

'A young man in curlers at home on West 20th Street, N. Y. C.'

Lot closes

October 23, 06:40 PM GMT

Estimate

50,000 - 70,000 USD

Starting Bid

45,000 USD

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Lot Details

Description

Art House: The Collection of Chara Schreyer

Diane Arbus

1926 - 1971

'A young man in curlers at home on West 20th Street, N. Y. C.'


gelatin silver print, a plate from A Box of Ten Photographs (New York, 1970), the photographer's facsimile signature label, signed by Doon Arbus, the photographer's daughter, titled and dated by Neil Selkirk and with the photographer's reproduction and portfolio stamp, editioned '14/50' in ink, on the reverse, framed, a Fraenkel Gallery label on the reverse

image: 14¾ by 14¾ in. (37.5 by 37.5 cm.)

frame: 23¼ by 23 in. (59.1 by 58.4 cm.)

Executed in 1966, printed posthumously by Neil Selkirk.

Private collection

Sotheby's New York, 2 October 1996, Sale 6888, Lot 399

Fraenkel Gallery, San Francisco

Acquired from the above in 1997 by the present owner

Doon Arbus and Marvin Israel, eds., Diane Arbus (Aperture, 1972), unpaginated

John Szarkowski, Mirrors and Windows: American Photography Since 1960 (New York: The Museum of Modern Art, 1978), p. 100

Sarah Greenough, Joel Snyder, David Travis, and Colin Westerbeck, On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography (Washington, D. C.: National Gallery of Art and The Art Institute of Chicago, 1989), pl. 360

Photographien im Dialog, (Köln, 1997), p. 57

Emma Dexter and Thomas Weski, eds., Cruel and Tender: The Real in the Twentieth-Century Photograph (London: Tate Modern, 2003, p. 237)

Diane Arbus: Revelations (New York, 2003), pp. 46 and 184

Peter Weiermair and Gerald Matt, Americans: The Social Landscape from 1940 until 2006, Masterpieces of American Photography (Kunstalle Wien, 2006), p. 95

Eye of the Beholder: Photographs from the Collection of Richard Avedon, vol. 1 (San Francisco, 2006), unpaginated

Sarah Hermanson Meister, Arbus, Friedlander, Winogrand: New Documents, 1967 (New York, 2017), p. 60