View full screen - View 1 of Lot 743. Two views in the environs of Rome, with figures.

Collection of Baron and Baronne Bertrand de Giey

Antonio del Drago

Two views in the environs of Rome, with figures

Estimate

7,000 - 10,000 GBP

Lot Details

Description

Collection of Baron and Baronne Bertrand de Giey


Antonio del Drago

Active late 18th/early 19th century

Two views in the environs of Rome, with figures:

A)The Ponte Milvio;

B) A distant view of Tivoli with the Villa Gregoriana, a bridge below


both signed in pen and brown ink, lower left: Antonio del Drago Roma

both watercolour and pen and brown ink, over traces of black chalk

Each circa 495 by 730 mm

(2)

Probably Charles Hippolyte, Vicomte Vilain XIIII (1796-1873),

His son Adrien Stanislas Paul Ghislain, Vicomte Vilain XIIII (1861-1940),

His daughter Marie-Thérèse Ernestine Alphonsine Vilain XIIII (1894-1950),

Thence by descent to the present owners

A number of signed watercolours by del Drago showing similar views are preserved in the Devonshire Collection at Chatsworth. The artist is unrecorded, but he was active in Rome towards the end of the 18th century and the beginning of the 19th century - one of many who worked to satisfy the enormous demand for views of this type from travelers on the Grand Tour.


These works have been owned since the late 18th or early 19th century by the Vilain XIIII family, the only known example of a family whose name incorporates Roman numerals. This unusual name is recorded from the beginning of the 17th century, but probably originated even earlier. The collection was chiefly formed by Charles (known as 'Hippolyte') Vilan XIIII (1796-1873), largely in Italy between 1830 and 1840, when the Vicomte represented the Belgian crown at Turin, Parma, Lucca and at the court of the King of Naples. The collection was not, though, solely devoted to Italian art, including works from all European schools, acquired both at home and abroad. 83 drawings from the Vilain XIIII collection were sold at Sotheby's in London, on 11 June 1981, but the present drawing has passed directly from the historic Vilain XIIII collection to the present owners.