View full screen - View 1 of Lot 1121. A fine and rare ge-type hexagonal vase, Seal mark and period of Qianlong | 清乾隆 仿哥釉六方貫耳壺 《大清乾隆年製》款.

A fine and rare ge-type hexagonal vase, Seal mark and period of Qianlong | 清乾隆 仿哥釉六方貫耳壺 《大清乾隆年製》款

Session begins in

November 22, 06:00 AM GMT

Estimate

1,000,000 - 3,000,000 HKD

Lot Details

Description

of sturdily potted hexagonal section, the shouldered body sitting on a splayed foot and rising to a waisted neck flanked by a pair of tubular handles, covered overall with a thick soft grey glaze suffused with an irregular network of black crackling and golden threads, the glaze stopping neatly at the footring, the base inscribed with the six-character seal mark in underglaze-blue, wood stand and Japanese wood box

30.5 cm

A Japanese private collection.

Kochukyo Co., Ltd, Tokyo.

5th Anniversary Exhibition. All-Stars of the Okada Collection: Masterworks of Korin, Jakuchu, Hokusai and the Ru Ware Kilns, Okada Museum of Art, Hakone, 2018-19, exh. no. 137 (unillustrated).

Although several Qianlong vases of this shape are found in tea-dust glaze or decorated in underglaze blue, the present ge-type piece is extremely rare. Compare a highly related example, mark and period of Qianlong, sold in these rooms, 8th April 2009, lot 1651. For the inspiration of this vase, see a larger Yongzheng Guan-type vase in the Qing Court collection, and still in Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum. Monochrome Porcelain, Hong Kong, 1999, pl. 204; and two examples sold at Christie's Hong Kong, 28th November 2005, lot 1316; and 26th April 2004, lot 1052.


A Qianlong vase of this shape and size, but with a tea-dust glaze, formerly in the Hall Family Collection and included in the Oriental Ceramic Society exhibition Iron in the Fire, Ashmolean Museum, Oxford, 1988, was sold in these rooms, 2nd May 2000, lot 556; and a larger example in the Idemitsu collection, Tokyo, is published in Chinese Ceramics from the Idemitsu Collection, Tokyo, 1987, pl. 965. Compare also a large moulded celadon-glazed vase of this from, with Qianlong mark and of the period, included in the exhibition Ethereal Elegance. Porcelain Vases of the Imperial Qing. The Huaihaitang Collection, Art Museum, Chinese University of Hong Kong, Hong Kong, 2007, cat .no. 50; and a blue and white decorated example in the Palace Museum, Beijing, illustrated in Treasures in the Royalty. The Official Kiln Porcelain of the Qing Dynasty, Shanghai, 2003, pl. 238.



來源

日本私人收藏

壺中居,東京


展覽

《開館5周年記念展―美のスターたち―光琳.若冲.北斎.汝窯など名品勢ぞろい》, 岡田美術館,箱根,2018-19年,展覽編號137(沒載圖)



乾隆朝似本品之仿哥釉六方貫耳瓶實屬鳳毛麟角,惟見數例乾隆朝茶葉末釉及青花同形制瓶器。然可資比對者,唯2009年4月8日於香港蘇富比釋出的一件乾隆款同類作品,編號1651。此式瓶器之靈感,當源自雍正朝一件尺寸較大的官釉瓶,現藏於北京故宮博物院,見《故宮博物院藏文物珍品全集·顏色釉》,香港,1999年,圖版204;另見兩例分別於2005年11月28日及2004年4月26日經香港佳士得售出,編號1316及1052。


同形制之茶葉末釉乾隆瓶一件亦資參考,曾屬霍爾家族舊藏,並參展牛津阿什莫林博物館1988年《Iron in the Fire》特展,後於2000年5月2日經香港蘇富比釋出,編號556。尺寸較大的一例現存東京出光美術館,見《出光美術館藏中國陶瓷》,東京,1987年,圖版965。另可比較香港中文大學文物館2007年《澄懷觀道:懷海堂藏清代御窯瓷瓶》展覽中一件乾隆款青釉之例,見展覽圖錄,編號50;以及上海博物館藏一件青花例,載於《清宮瓷器萃珍》,上海,2003年,圖版238。