Estimate
8,000 - 12,000 GBP
Lot Details
Description
[DOGALE]. Ducal Commission, on vellum, appointing the Mayor (Podestà) of Mestre reissued on behalf of Francesco Erizzo (Doge of Venice 1631-1646) to Domenico Zane; originally issued c. 1578 on behalf of Doge Sebastiano Venier (1577-1578), or Doge Nicolò da Ponte (1578-1585).
A DUCAL COMMISSION FOR DOMENICO ZANE, A HIGH-RANKING VENETIAN OFFICIAL.
The Zane family count among the oldest patrician dynasties in Venice. Domenico Zane (1620-1672) occupied the office of Savii agli Ordini numerous times, a position akin to Senior Magistrate, overseeing maritime matters related to the Venetian navy, commerce, and the the Serenissima's overseas colonies. He also served on several occasions as a member of the Savii di Terraferma, a committee which consisted of only five Senior Magistrates who were tasked with the defence of the Republic's mainland dominions. In 1654 Domenico visited the court of Philip IV, King of Spain, as ambassador of the Venetian Republic. He remained in Spain for five years before returning to Venice. Until his death in 1672 he held various further political offices.
Recipients of these political and administrative appointments by the Doge of Venice often commissioned the help of a professional scribe to create a copy of the record which could then be illuminated and bound. These records served as tangible witnesses to the recipient’s service to the Venetian Republic, while also embodying the wealth and prestige of the office.
The technique of sunk panel bindings appears to have developed in Venice in the 1540s. There are two distinct groups of dogali with sunk panels: those with a sort of architectural framework and no blocking except for the Lion of Saint Mark on the upper cover, and those with deeply sunk compartments, to which this volume belongs. Paul Needham points out that "Bindings in this style require a unified supply of blocking plates that cannot well be used for anything but sunk-compartment work, and there were probably only a few shops offering such work as a specialty" (Twelve centuries, p. 237). The present binding came from a workshop with this specialisation and other dogali sharing the same border blocks and ornaments include one in the Museo Correr (De Marinis, Rilegature veneziane del XV e XVI secolo, pl. 36) and two in the Morgan Library & Museum (Nixon, Sixteenth-century gold tooled bookbindings, no. 44 & Needham, Twelve centuries, no. 75).
4to (222 x 150 mm), written in a fine humanist hand in sepia ink, 21 lines, 155 leaves (of 158, lacking f.1, f. 4, f. 6, blank f. 2v, 3r, 5r); first page inscribed in golden Roman Capitals with black and red accent colours creating a trompe-l'œil effect, pen trials on 3v and 4v, original 1578 commission initialled by Grand Chancellor 'FSR', and attested by ducal notary Gabriel Gabrielius, page setting annual salary of 500 ducats drawn of the Camera of Treviso signed by Agustin Sp[ine]lli; final 5 leaves in a different, possibly somewhat later, hand recording votes of December 1577 Magg. Concilio, first quire replaced under Doge Erizzo between 1631-1646, as Dogali were frequently reused on account of their expensive bindings, the illuminated first leaves containing the owner’s arms are often missing; here the first quire was replaced for Zane’s commission and later Zane’s illuminated f. 1 and its conjugate f. 6 were removed. (Yellowing and slight traces of damp in upper margins of some leaves, worming to inner margin of first few leaves.)
binding: Venetian dark red morocco in an oriental style (230 x 161 mm), c. 1578, gilt over double pasteboards with sunk compartments blocked in gold lacquer heightened with enamel, outer border of angular and shaped rectangular compartments, oriental corner pieces, large central ovoid panel blocked, on upper cover, with Lion of St Mark, on lower cover with a cartouche containing painted arms of Zane in white and blue, small teardrop-shaped compartments above and below centrepiece, all sunk compartments outlined by single fillets and 2 versions of an orientalising bird’s foot tool, 4 raised bands on spine, the compartments divided by diagonal gilt fillets and the resulting triangles filled with parallel fillets, minor repairs to joints and corners, traces of 4 pairs of ties, gilt edges, in a cloth case. (Recornered, spine ends repaired, small neat repairs to edges of boards removing traces of ties.)
provenance: Luigi Grassi, Florentine connoisseur and art dealer (1858- c. 1917), stamp on upper pastedown "LG"—Sotheby's, 28 February 1966, lot 149, £300 to Maggs—Jean Fürstenberg (1890-1982), exhibition label —Martin Breslauer Inc., New York, Catalogue 108 (1986), no. 14. acquisition: Purchased in 1986 from Martin Breslauer Inc., New York. references: EA Cicogna, Delle inscrizioni Veneziane , vol. II, fasc. 12, Venice, 1830, pp. 440-441; IBI, 7, p. 2621. exhibited: Musée d'art et d'histoire, Collection Jean Furstenberg: 3 mai-5 juin 1966 (Geneva 1966), no. 82
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