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Romare Bearden

Cattle of the Sun God

Estimate

15,000 - 25,000 USD

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Lot Details

Description

Romare Bearden

1911 - 1988


Cattle of the Sun God

signed (lower left)

collage and pencil on paper laid down on board

board: 12 by 14 ½ in. 30.5 by 36.8 cm.

overall: 12 ¾ by 15 ⅜ in. 32.4 by 39.1 cm.

Executed in 1977.


This work will be included in a forthcoming installment of the Romare Bearden Catalogue Raisonné Project, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.

Cordier & Ekstrom, New York

Isabel Ault, New York (acquired from the above in 1977)

Christie’s, New York, 8 May 1990, lot 134 (consigned by the above)

Private Collection, Chicago (acquired at the above sale)

Franklin Riehlman Fine Art, New York 

Acquired from the above in 2005 by the present owner

New York, Cordier & Ekstrom, Romare Bearden: Odysseus Collages, April - May 1977, no. 11, illustrated

New York, Andrew Crispo Gallery, Twelve Americans: Masters of Collage, November - December 1977, no. 22, illustrated

Charlotte, Mint Museum; Jackson, Mississippi Museum of Art and Baltimore Museum of Art (and traveling), Romare Bearden: 1970-1980, October 1980 - August 1981, no. 191, p. 105

Santa Monica, M. Hanks Gallery, Masterpieces of African American Art: An African American Perspective, January – March 2003, no. 3

Los Angeles, Alitash Kebede Gallery, Tribute to a Friendship: Romare Bearden and Herbert Gentry, May - July 2004, no. 5

New York, DC Moore Gallery, Romare Bearden: A Black Odyssey, November 2007 – January 2008, pp. 70 and 72; p. 71, illustrated

Winston-Salem, Reynolda House Museum of American Art; Memphis Brooks Museum of Art and Fort Worth, Amon Carter Museum (and traveling), Romare Bearden: A Black Odyssey, October 2012 - March 2015, pp. 70 and 72; p. 71, illustrated

New York, Schoelkopf Gallery, Now Modern, May - June 2022 (virtual exhibition)

Robert G. O’Meally, ed., The Romare Bearden Reader, Durham and London, 2019, p. 329

“Spiral Group: Norman Lewis & Romare Bearden”, Now Modern, vol. 1, Spring/Summer 2022, p. 95, illustrated in color