View full screen - View 1 of Lot 68. Infinite Regress CLXXIII (Variation I).

Eamon Ore-Giron

Infinite Regress CLXXIII (Variation I)

Lot closes

June 7, 03:34:30 AM GMT

Estimate

60,000 - 70,000 USD

Current Bid

32,000 USD

2 Bids

Reserve met

Lot Details

Description

Eamon Ore-Giron

b. 1973

Infinite Regress CLXXIII (Variation I)


Executed in 2025.

Smalti hand-cut mosaic glass and 24 carat gold

48 x 35 in. (121.9 x 88.9 cm)


Please note that while this auction is hosted on Sothebys.com, it is being administered by the Museum of Contemporary Art Chicago, and all post-sale matters (inclusive of invoicing and property pickup/shipment) will be handled by the Museum of Contemporary Art Chicago. As such, Sotheby’s will share the contact details for the winning bidders with the Museum of Contemporary Art Chicago so that they may be in touch directly post-sale.


This online benefit auction has a 10% buyer’s premium, which will be added to the final hammer price of each sold work. The premium allows the Museum of Contemporary Art Chicago to retain more of the proceeds of the sale and offset administrative costs.

Courtesy of the artist and James Cohan, New York.

Eamon Ore-Giron (b. 1973, Tucson, AZ; lives in Los Angeles, CA) creates paintings, videos, and music that are informed by his experiences living across multiple locations, including Los Angeles, Mexico, Peru, and Tucson. This mosaic, which the artist created especially for the 2025 Art Auction, is part of a decade-long, ongoing series of the same name. Hinting at the visual language of astral calendars, celestial bodies, and architecture, it displays one of the hallmarks of Ore-Giron's practice: the process of cultural transmutation, or the migration of ideas, histories, and aesthetics across place and time. Solo exhibitions of his work have been presented by the Contemporary Austin; Museum of Contemporary Art Denver; Anderson Collection at Stanford University, Palo Alto, CA; and The Brick, Los Angeles. His work has also been featured in the 2024 Whitney Biennial, Even Better Than the Real Thing, and Made in L.A. 2018.