View full screen - View 1 of Lot 40. Historias Wiwa I.

Beatríz González

Historias Wiwa I

Lot closes

June 7, 03:20:30 AM GMT

Estimate

35,000 - 45,000 USD

Starting Bid

20,000 USD

Lot Details

Description

Beatriz González

b. 1932

Historias Wiwa I


Executed in 2015.

Digital print on wallpaper

With digital edition; 1 of 5 + 2 artist's proofs

Each module: 32 x 23 5/8 in. (81.5 x 60 cm)


Please note that while this auction is hosted on Sothebys.com, it is being administered by the Museum of Contemporary Art Chicago, and all post-sale matters (inclusive of invoicing and property pickup/shipment) will be handled by the Museum of Contemporary Art Chicago. As such, Sotheby’s will share the contact details for the winning bidders with the Museum of Contemporary Art Chicago so that they may be in touch directly post-sale.


This online benefit auction has a 10% buyer’s premium, which will be added to the final hammer price of each sold work. The premium allows the Museum of Contemporary Art Chicago to retain more of the proceeds of the sale and offset administrative costs.


Sale of this work is conditioned upon buyer agreeing to donate the work to the Museum of Contemporary Art Chicago, whether in buyer’s lifetime or by testamentary gift.

Courtesy of Beatriz González and Casas Riegner, Bogotá

Beatriz González (b. 1932, Bucaramanga, Colombia; lives in Bogotá, Colombia) is one of her country’s most consequential artists. Since the 1960s, she has repurposed press images, popular graphics, and Western art history to contend with representation and remembering in the context of Colombia’s conflict. As she has famously said, “Art tells what history cannot.” González’s work is in the MCA Collection and numerous other public collections, including the Museum of Modern Art, New York; Museum of Fine Arts, Houston; and the Tate Modern, London. The Pérez Art Museum Miami and Museum of Fine Arts, Houston recently organized a major traveling retrospective of her work. She has also participated in important surveys, including the 11th Bienal de São Paulo (1971), Venice Biennale (1978), and Documenta (2017).