L'Oeil de Dieu : Property from an Important Collection
L'Œil de Dieu
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October 24, 02:00 PM GMT
Estimate
1,500,000 - 2,000,000 EUR
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Lot Details
Description
L'Œil de Dieu : Property from an Important Collection
Wols
1913 - 1951
L'Œil de Dieu
signed (lower right)
oil on canvas
46,4 x 65,3 cm; 18 ¼ x 25 ¾ in.
Executed in 1948-49.
Collection Werner Haftmann, Germany (acquired directly from the artist)
CollectionTristan Tzara, Paris (acquired from the above in 1949)
Collection Gilbert G. Halbers, Paris (acquired from the above circa 1964)
Ketterer Kunst, Munich, 5 December 1994, lot 139
Acquired in the above sale by the present owner
Venice, XXIX Biennale Internazionale d’arte, 1958, no. 21
Kassel, Alte Galerie Museum Fridericianum Orangerie, Documenta III, June - October 1964, no. 7, p. 112
Berlin, Nationalgalerie, Wols 1913-1951, September - November 1973, no. 29, p.27, illustrated in colour
Paris, Musée d’Art Moderne de la Ville de Paris, Wols, December 1973 – February 1974, no. 27
Düsseldorf, Städtische Kunsthalle; Baden-Baden, Städtische Kunsthalle, Surrealität - Bildrealität 1924 - 1974, December 1974 - April 1975, no. 389, p. 156, illustrated
Basel, Galerie Melki, Paris vers les années 50, Et à propos de quelques artistes informels, 1976, p. 53, illustrated in colour
Berlin, Schloss Charlottenburg, Zeichen des Glaubens, Geist der Avantgarde, religiöse Tendenzen in der Kunst des 20. Jahrhunderts, May - July 1980, p. 299, illustrated
Paris, Pavillon des Arts, Saint-Germain-des-Prés, 1945 – 1950, October 1989 – January 1990, no. 377
Werner Hofmann, "Der Maler Wols", Das Werk 46, 1959, p. 183
Marisa Volpi, "Espressionismo e informel di Wols", Arte oggi, no. 4, 1959, pp. 14–17
Pierre Restany, "Une Peinture existentielle – Wols", XXe Siècle, XXIV, no. 19, June 1962, pp. 53–56, illustrated in colour
Enrico Crispolti, L’Informale. Storica e poetica, vol. I, Assise/Rome 1971, p. 158, illustrated
Paul Vogt, Geschichte der deutschen Malerei im 20. Jahrhundert, Cologne 1972, pp. 481-482, illustated in colour
Shigeo Chiba, L'oeuvre de Wols, catalogue raisonné, Paris 1974, p. 116
Françoise LeGris-Bergmann, Composantes plastiques et pôles référentiels dans l’œuvre de Wols, Paris 1976, no. 416, pp. 301–302
Claire Van Damme, Kunst Als Catharsis en Psychogenese, Ghent 1985, no. 446, pp. 281, 284
Carla Schulz-Hoffmann, Wols, in German Art in the 20th Cetury, 1985, no. 3, p. 464, illustrated
Exh. Cat., Zurich, Kunsthaus; Düsseldorf, Kunstsammlung Nordrhein-Westfalen; WOLS. Bilder, Aquarelle, Zeichnungen, Photographien, Druckgraphik, November 1989 - February 1990, no. 240, p . 294, illustrated in colour
Hubert Salden, Wols’ Bildkonzept, Giessen 1991, no. 14, pp. 66, 173–176, 285, illustrated
Botho Strauß, Das Partikular, Munich 2000, illustrated on the cover
Patrycja de Bieberstein Ilgner, WOLS – Die Gemälde. Paris 1946–1951, Munich 2021, no. 46, pp. 168–169, illustrated in colour
Andreas Mertin, "Das Verdampfen der ästhetischen Transzendenz. Notizen zu Bildern von Wols und zu einer Formulierung von Th. W. Adorno", tà katoptrizómena – Magazin für Kunst, Kultur, Theologie, Ästhetik, no. 153, 1st February 2025, illustrated in colour
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