Maurizio Cattelan

Untitled

VAT reduced rateArtist's Resale RightUK: Greenford Park Warehouse

Estimate

400,000 - 600,000 GBP

Lot Details

Description

Maurizio Cattelan

b. 1960

Untitled

stainless steel, wood, electric motor, light, bell and computer

elevators: 34.9 by 59.3 cm. 13¾ by 22⅜ in.

overall: 59.9 by 86.4 by 49.1 cm. 23½ by 33⅝ by 18⅝ in.

Executed in 2001, this work is number 3 from an edition of 10 plus 2 artist's proofs.

This work is accompanied by a certificate of authenticity signed by the artist.

Galerie Emmanuel Perrotin, Paris

Private Collection

Phillips de Pury & Company, London, 14 October 2006, lot 46

Private Collection, London (acquired from the above)

Sotheby's, New York, 12 May 2015, lot 43 (consigned by the above)

Acquired from the above by the present owner

Frances Richard, "Penetration," Artforum, vol. 41, no. 2, October 2002, p. 154 (text)

Francesco Bonami, Nancy Spector, Barbara Vanderlinden et al., eds., Maurizio Cattelan, London 2003, pp. 176-77, illustrated in colour (edition no. unknown) (installed in Mega Wave – Towards a New Synthesis, The International Triennale of Contemporary Art, Yokohama, 2001)

Meghan Dailey, "Peter Norton: Collecting with a Conscience," Guggenheim Magazine, Winter 2004, p. 30 (text)

Yokohama, The International Triennale of Contemporary Art, Mega Wave – Towards a New Synthesis, September – November 2001, p. 26, illustrated in colour (installation view) (edition no. unknown)

New York, Marianne Boesky Gallery and Friedrich Petzel Gallery, Penetration, June – August 2002 (edition 2/10)

Paris, Galerie Perrotin, Opening of the Gallery Space at 76 Rue de Turenne, January – March 2005 (edition no. unknown)

New York, The FLAG Art Foundation, Size Does Matter, February – May 2010, no. 12B, pp. 12-13, illustrated in colour (edition no. unknown)

Los Angeles, Los Angeles County Museum of Art, Human Nature: Contemporary Art from the Collection, March – July 2011 (edition 1/10)

New York, Solomon R. Guggenheim Museum, Maurizio Cattelan: All, November 2011 – January 2012, no. 85, p. 228; and pl. 43, p. 134 (maquette); pp. 135-36 (installation view) (2016 reprint), illustrated in colour (present example)

Minneapolis, Walker Art Center; Louisiana, New Orleans Museum of Art; San Diego, Museum of Contemporary Art San Diego; and Austin, Blanton Museum of Art, Lifelike, February 2012 – October 2013, p. 149 (text); no. 76, p. 154, illustrated in colour (edition 2/10)

Wassenaar, Museum Voorlinden, Maurizio Cattelan: Untitled, 2016 – present, pp. 2-3, 6-7, 19, and 20-21, illustrated in colour (installation view); pp. 8, 11, 47, illustrated in colour (detail) (edition 4/10)

Beijing, UCCA Center for Contemporary Art, Maurizio Cattelan: The Last Judgement, November 2021 – February 2022, p. 89, illustrated in colour (illustrative rendering of the work installed in Mega Wave – Towards a New Synthesis, The International Triennale of Contemporary Art, Yokohama, 2001)

Seoul, Leeum Museum of Art, Maurizio Cattelan: WE, January – July 2023 (artist’s proof)