Elixir of Life: Photographs from The Olbricht Collection
Black Supper
Estimate
70,000 - 100,000 EUR
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Description
Elixir of Life: Photographs from The Olbricht Collection
Andres Serrano
b. 1950
Black Supper
a pentaptych (5) of Cibachrome prints, each flush-mounted to aluminum, signed, titled, sequenced 'I'-'V' and editioned '8/10' in pencil on the reverse, in artist's frames, Galerie Yvon Lambert and Collection Lambert exhibition labels on the reverse of the third panel
each: 40 by 27 in. (101.6 by 68.5 cm.)
Executed in 1990.
Galerie Yvon Lambert, Paris
Private collection
Sotheby's New York, 13 November 2003, Lot 519
Acquired from the above by the present owner
Avignon, Collection Lambert, Photographier, June - November 2002
Düsseldorf, HSBC Trinkaus & Burkhardt, Ausgewählte Werke der Sammlung Olbricht, 2006
Essen, Museum Folkwang, Rockers Island - Olbricht Collection, May - July 2007
Krems, Kunstmeile Krems, Lebenslust & Totentanz, July - November 2010
Berlin, me Collectors Room Berlin, WONDERFUL - Humboldt, Krokodil &
Polke, Die Olbricht Collection, November 2012 - April 2013
Bochum, Kunstmuseum Bochum, Bild Macht Religion - Kunst zwischen Verehrung, Verbot und Vernichtung, October 2018 - February 2019
Lémeré, Château du Rivau, Viva Leonardo da Vinci!, 2019
Andres Serrano (Oslo: Galleri Riis and Copenhagen: Galleri Susanne Ottesen, 1991), unpaginted
"Everything That Lives, Eats" Aperture, Vol. 143, Spring 1996, pp. 50-1
Andres Serrano: works 1983-1993 (Philadelphia, Institute of Contemporary Art, University of Pennsylvania: 1994), pp. 14, 34, 35, 67
Brian Wallis, ed., Andres Serrano, Body and Soul (New York, 1995), unpaginated
Rockers Island - Olbricht Collection (Essen: Museum Folkwang, 2007), pp. 88-9, illustrated (this work)
Lebenslust & Totentanz (Krems: Kunstmeile Krems, 2010), pp. 76-7 (this work)
Andres Serrano (Ajaccio: Palais Fesch-musée des Beaux-Arts, 2014), p. 42-3
Andres Serrano: Uncensored Photographs (Brussels: Royal Museums of Fine Arts of Belgium, 2016), pg. 78-9
Bild Macht Religion - Kunst zwischen Verehrung, Verbot und Vernichtung (Bochum, Kunstmuseum Bochum, 2019), p. 201 (this work)
Beyond Colour: Black and White in the Pinault Collection (Rennes: Couvent des Jacobins, 2021), pp. 62-3
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