Writing and the Manuscript Book - Medieval book

Lot Comprises:

Bernhard Bischoff, Manuscripts and Libraries in the Age of Charlemagne, translated and edited by Michael Gorman, Cambridge, University Press, 1994, 8vo., publisher's black cloth, dust jacket, with annotations

John J. Contreni, Carolingian Learning, Masters and Manuscripts, Aldershot, Variorum, 1992, small 4to., publisher's blue cloth gilt

Jean Destrez, La Pecia dans les manuscrits universitaires du XIIIe et du XIVe siècle, Paris, Éditions Jacques Vautrain, 1935, large fol., publisher's paper wrappers, no. 271 of 500 copies

Marc Drogin,

Anathema! Medieval scribes and the history of book curses, Mountclair, NJ, Allanheld & Schram, 1983, oblong 8vo., publisher's mauve cloth, dust jacket

Patricia Basing, Trades and Crafts in Medieval Manuscripts, New York, 1990, 4to., publisher's blue cloth

Claudine A. Chavannes-Mazel & Margaret M. Smith, ed., Medieval manuscripts of the Latin classics: production and use: proceedings of the Seminar in the History of the Book to 1500, Leiden, 1993, Los Altos Hills, Anderson-Lovelace, 1996, fol., publisher's green cloth, dust jacket

C. Paul Christianson, Memorials of the Book Trade in Medieval London: The Archives of the Old London Bridge (Manuscript Studies 3), Cambridge, Brewer, 1987, fol., publisher's blue cloth, dust jacket

Christopher De Hamel, Medieval Craftsmen: Scribes and Illuminators, Toronto, University of Toronto Press, 1992, thin square quarto, publisher's printed wrappers

Peter Beal & Jeremy Griffiths, ed., English Manuscript Studies 1100‐1700, vol. 1, Oxford & New York, Basil Blackwell, 1989, 8vo., publisher's grey cloth

Joroslav Folda, Crusader manuscript illumination at Saint-Jean d'Acre, 1275-1291, Princeton, University Press, 1971, publisher's red cloth, dust jacket

Jean Glenisson, ed., Le livre du Moyen Age, Paris, CNRS, 1988, fol., publisher's black cloth, dust jacket

Nataša Golob, Twelfth-century Cistercian manuscripts: the Sitticum Collection, Ljubljana, Slovenska knjga in conjunction with H. Miller, 1996, fol., red cloth gilt, dust jacket

Elizabeth M. Hallam, Domesday Book through Nine Centuries, New York, Thames and Hudson, 1986, 4to., publisher's tan cloth, dust jacket

Philippe Hoffmann, ed., Recherches de codicologie comparée: La composition du "Codex" au Moyen Âge en Orient et en Occident (Collection Bibliologie), Paris, Presses de l'École normale supérieure, 1998, 4to., publisher's printed wrappers

Melanie Holcomb, Pen and Parchment: Drawing in the Middle Ages, New Haven & London, Yale University Press, 2009, fol., robin egg blue, dust jacket

Henry Mayr-Harting, Ottonian book illumination: an historical study, London, H. Miller, 1991, 2 vols., publisher's red cloth, dust jacket

Nigel J. Morgan, Early Gothic Manuscripts, II: 1250‐1285, London & New York, Harvey Miller / Oxford University Press, 1988, vol. 2 of 2 only, fol., publisher's brown cloth, dust jacket

Stephen G. Nichols & Siegfried Wenzel, The Whole Book: cultural perspectives on the Medieval miscellany, Ann Arbor, University of Michigan Press, 1996

George Haven Putnam, Books and their Makers during the Middle Ages, (New York 1896‐1897), reprint New York, Hillary House, 1962, 8vo., 2 vols., publisher's red cloth, pasteboard box

David H. Wright, The Roman Vergil and the Origins of Medieval Book Design, London, University of Toronto, 2002, 4to., publisher's blue cloth gilt, dust jacket

Walter Oakeshott, The sequence of English medieval art: illustrated chiefly from illuminated mss., 650-1450, London, Faber and Faber, 1950, small fol., publisher's grey cloth, review from TLS tucked in, inscription "E.L.G.Stone 1950"

Rosamond McKitterick, Books, Scribes and Learning in the Frankish Kingdoms, 6th‐9th Centuries, Aldershot, Variorum, 1994, small 4to., publisher's blue cloth gilt

Richard H. Rouse & Mary A. Rouse, Manuscripts and their makers: commercial book producers in medieval Paris, 1200-1500, Turnhout, Harvey Miller, 2000, 2 vols., publisher's blue cloth, dust jacket

Ernst Philip Goldschmidt, Medieval Texts and their First Appearance in Print, London, (1943), reprint Meisenheim, Hain, 1965, 8vo., publisher's blue cloth

Sold as a group, not subject to return.