Writing and the Manuscript Book - Illumination of books and manuscripts - Italy

Lot Comprises:

Edward Cheney, Remarks on the illuminated official manuscripts of the Venetian Republic (Philobiblon Society, Bibliographical and Historical Miscellanies), London [1889?], 4to., publisher's cloth, letter from author to Mr. Drake dated March 31, 1889 pasted to upper pastedown

Lilian Armstrong, Renaissance miniature painters & classical imagery: the Master of the Putti and his Venetian workshop, London, Harvey Miller, 1981, publisher's beige cloth, dust wrapper

Lilian Armstrong, Studies of Renaissance Miniatures in Venice, London, Pindar Press, 2003, 4to., 2 vols., publisher's blue cloth, dust jacket

Barbara Drake Boem, Choirs of Angels: Painting in Italian Choir Books, 1300‐1500, New Haven, Yale University Press, 2008

Annarosa Garzelli, ed., Miniatura fiorentina del Rinascimento, 1440‐1525: Un primo censimento (Inventari e cataloghi toscani 18 & 19), Florence, Giunta regionale toscana / La Nuova Italia, 1985, 2 vols., fol., publisher's printed wrapper

Ada Labriola, Christina De Benedictis & Gandenz Freuler, La miniatura senese, 1270‐1420, Milan, Skira, 2002, fol., publisher's orange‐brown boards, dust jacket

Lilian Armstrong, "Il Maestro di Pico: Un miniatore veneziano del tardo Quattrocento", in Saggi e memorie di storia dell'arte, vol. 17, 1990, pp. 7‐39, 215‐253 (photocopy)

Naples, Biblioteca nazionale Vittorio Emanuele, Ms XII.E.27

Daniel Varney Thompson, Jr. & George Heard Hamilton, An Anonymous Fourteenth Century Treatise "De Arte Illuminandi": The Technique of Manuscript Illumination, New Haven, Yale University Press, 1933, 4to., publisher's blue cloth, inscription dated 1933 from George Heard Hamilton to Mary and Jack

Gioacchino Volpe, L. Volpicelli, A. della Corte & A. Pazzini, La vita medioevale italiana nella miniatura, Rome, C. Bestetti, 1966, large fol., red simulated leather, slipcase

Sold as a group, not subject to return.