View full screen - View 1 of Lot 1858. Turnèbe, Adversariorum tomus primus, Paris, 1564, contemporary French mosaïque binding for Claude Cauchon de Maupas.

Turnèbe, Adversariorum tomus primus, Paris, 1564, contemporary French mosaïque binding for Claude Cauchon de Maupas

Estimate

6,000 - 8,000 GBP

Lot Details

Description

TURNÈBE, ADRIEN. Adversariorum, tomus primus (-secundus). Paris: Gabriel Buon, 1564 (-1565)


A CONTEMPORARY FRENCH "MOSAIQUE" BINDING, LIKELY FOR CLAUDE CAUCHON DE MAUPAS (fl. 1549-5 February 1598), Abbé de Saint Jean de Laon and Consellier et Amonier Ordinaire du Roi. There are seventeen known works with this intertwined M monogram and motto "Tandem Quiesco".


The principal critical work of Adrien Turnèbe (1512-1565), one of the most distinguished of the Paris Greek scholars of the sixteenth century.


This binding is plate XCII in E.P. Goldschmidt's Gothic and Renaissance bookbindings (no. 234). Goldschmidt initially believed it plausible that this work was bound for the French humanist, Marc-Antoine Muret (1526-1585), but Lucius Wilmerding, a later owner, believed it belonged to Claude Cauchon de Maupas. In an address delivered at The Grolier Club in 1937, Wilmerding spoke of his initial excitement upon acquiring this volume, believing that the double M's may have been related to Montaigne, who had referred to Turnèbe as "le plus grand homme qui fut il y a mil'ans". He later discovered a copy of the Nouveau Tristan dedicated to M. de Maupas, abbé de Saint Jean de Laon, with a vignette above the dedication which featured a shield bearing intertwined Ms and a scroll with the motto "Tandem Quiesco", and came to the conclusion that this copy of Turnèbe's Adversariorum was bound for this same Claude Cauchon de Maupas. Goldschmidt acknowledged Wilmerding's discovery in his "Reliures faites pour Claude Cauchon de Maupas, Abbé de Laon", in Humanisme et Renaissance, v. 4, pp. 305-306.


Claude was the youngest of three sons of Thierry Cauchon, seigneur de Maupas, Capitaine du Roi de Reims, and Adrienne de Bossut-Longueval. In 1535, his elder brother Pierre become abbé commendataire of the Benedictine Abbaye Saint-Jean de Laon; in 1566, when Pierre renounced Catholicism and the position, Claude assumed his position.

2 works in one volume, large 4to (241 x 157 mm). Roman, italic and some greek type, 29 lines plus headline. (1) collation: *4 A-3O4 ā4 ē4 ī4 ō4 [2]*2: 262 leaves. Woodcut device on title-page, woodcut initials, head- and tailpieces, ruled in red throughout, a couple of early marginal annotations. (Marginal tear with loss to lower inner corner of [2]*2.) (2) collation: *4 A-4G4 ā4 ē4 ī4 [2]ā2 (final verso blank): 322 leaves. Contents as above. (Closed tear to outer margin of S4.)


binding: French dark brown calf over pasteboards (250 x 169 mm), late 1560s, richly gold tooled, outer border and inner rectangle with excedrae enamelled in grey, surrounded and intersected by freehand gougework of flowing foliage and flowers, leaves and stems enamelled ?dark green, the flowers red, central oval cartouche with volutes at 4 sides and bow formed by single gilt fillets at outer edges between volutes, cartouche containing monogram of 2 interlaced Ms surrounded by motto "TANDEM QVIESCO", spine with 5 full and 2 half bands, traces of 2 pairs of ties, edges gilt, in a fleece-lined folding case. (Rebacked in the nineteenth-century, with old repairs to joints and corners.)


provenance: Claude Cauchon de Maupas (fl. 1549-1598), Abbé de Saint Jean de Laon and Conseiller et Aumônier Ordinaire du Roi—?"Carton", late-sixteenth- or early-seventeenth-century inscription to title—Joseph Renard (1822-1882), bookplate to upper pastedown, his sale, Maurice Delestre & Antoine-Laurent Potier with Adolphe Labitte, Paris, 21-30 March 1881, lot 1060—Thomas Shadford Walker (1834-1885), his sale, Sotheby's, London, 23-24 June 1886, lot 406, £8 10s to—Quaritch, Catalogue 93 ("The motto and monogram seem to be those of Muretus")—Sotheby's, London, 27 February–4 March 1899, lot 1896—Charles George Milnes Gaskell (1842-1919), bookplate dated 1891 to upper pastedown, sale, Hodgson & Co., London, 28–29 February 1924, lot 297, £10 10s to Maggs Bros.—E.P. Goldschmidt (1887-1954), Gothic and Renaissance Book Bindings, 1928, item 234, pl. XCII—Lucius Wilmerding (1879-1949), bookplate to upper endleaf, Catalogue of an Exhibition of Renaissance Bookbindings...with an Address Delivered by Lucius Wilmerding, Grolier Club, 1937, p. 25 & no. 51, his sale, Parke Bernet, part II, 6 March 1951, lot 632—Saul Cohn, his sale, Parke Bernet, part I, 27 April 1955, lot 718—Cornelius J. Hauck (1893-1967), bookplate to upper cover, library bequeathed to Cincinnati Historical Society, sale, Christie's, New York, 27 June 2006, lot 255. acquisition: Purchased at the preceding sale. references: USTC 153476; USTC 157938. exhibited: Catalogue of a loan collection of ancient & modern bookbindings, exhibited at the Liverpool Art Club (Liverpool 1882), no. 37 (lent by T. Shadford Walker); Lucius Wilmerding, A catalogue of an exhibition of Renaissance bookbindings held at the Grolier Club from December 17, 1936 to January 17, 1937: with an address delivered by Lucius Wilmerding (New York, 1937), p. 25