View full screen - View 1 of Lot 1648. Des Monstiers, Des estats et maisons plus illustres, Paris, 1549, black morocco gilt by the Salel Binder.

Des Monstiers, Des estats et maisons plus illustres, Paris, 1549, black morocco gilt by the Salel Binder

Estimate

20,000 - 30,000 GBP

Lot Details

Description

DES MONSTIERS, JEAN. Des estats et maisons plus illustres de la chrestiente. Paris: Vincent Sertenas for Gilles Corrozet, 1549


RARE CORROZET PRINTING OF THIS LIST OF POPES, KINGS OF FRANCE AND EMPERORS OF THE HOLY ROMAN EMPIRE IN A FINE BINDING BY THE SALEL BINDER.


Jean Des Monstiers (1514-1569) was a French Catholic priest and Bishop of Bayonne between 1551 and 1565. He was also a diplomat, a historiographer and a translator. USTC lists 4 institutional copies of this work.


This binding can be attributed to the Salel Binder. The bindings produced by this Parisian workshop were often black or green morocco, with gilt tooling and gilt edges, and feature characteristic systematic frames, formed of a repeated fleuron, as the present volume does (Laffitte and Le Bars, Reliures royales de la Renaissance, p. 53). The bud tool at the corners, where unchanged by restoration, appear identical to those found on no. 7 in Nixon’s Sixteenth-century Gold-tooled Bookbindings, attributed to the Fontainebleau Binder. Compare also a binding on the 1549 entry of Henri II in Paris attributed to the Salel Binder by Vérène de Diesbach-Soultrait, Bibliothèque Jean Bonna. Six siècles de littérature française. XVIe siècle (Geneva & Paris 2017), I, no. 122


The Salel Binder, active from around 1540, was first known as the "Fontainebleau Binder", as he was responsible for a number of bookbindings for the royal library at Fontainebleau. However, he had many other clients, most of whom remain anonymous, like the owner of the present volume. He was later renamed the "Salel Binder" after a series of manuscripts dedicated to the king by Hugues Salel. This would be a later binding from the workshop, as the majority of extant bookbindings were produced between 1540 and 1545.

4to (230 x 155 mm). Roman and italic type, 30 lines plus headline. collation: *4 A8 B-Z4 Aa-Dd4 Ee6: 122 leaves (C4, D2v, V2v and final verso blank). Woodcut printer's device on title-page, woodcut initials, ruled in red throughout, errata leaf at end (hence State B). (Marginal dampstaining, small tear without loss to lower outer corner of B1, small water stains to C1v and Ee5v very slightly affecting text.)


binding: Contemporary Parisian black morocco (236 x 168 mm) by the Salel Binder, gold tooled, border of repeated solid flower tool with solid bud tool at corners, single gilt fillet frame, inner frame of 2 fillets entering central panel at mid-points of each side as interlacing strapwork evolving into an interlaced design of elaborate gougework, creating fleurons, leafy forms and tendrils, small punches to leaves, spine with 6 full bands, azured leaf tool in compartments, stubs from 2 pairs of ties, edges gilt, in a cloth-lined box. (Spine ends, corners and edges repaired, pastedowns renewed.)


provenance: Jean-François Danjou de la Noë, prêtre de Saint-Brieuc et recteur de Châtillon-en-Vendelais (diocese of Rennes) from 1706-1754, with inscription on title-page "a mr. d'anjou prieur de Chatillon en Vendelais". acquisition: Purchased in 1990 from Martin Breslauer Inc., New York. references: USTC 40717; BP16 113508, listing copies in State A without errata leaf at end, and State B with errata leaf (as per the present copy)

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