Property from a Distinguished Private Collection
The Master of Marradi
The Death of Lucretia at the Banquet of Lucius Junius Brutus
Auction Closed
January 28, 04:44 PM GMT
Estimate
400,000 - 600,000 USD
Lot Details
Description
Property from a Distinguished Private Collection
The Master of Marradi
active in Florence during the second half of the 15th Century
The Death of Lucretia at the Banquet of Lucius Junius Brutus
oil and tempera on panel
15 ⅞ x 22 ⅜ in.; 40.3 by 56.8 cm.
Please note that there is a guarantee and an irrevocable bid on this lot.
Alexis-François Artaud de Montor, Paris, by 1811;
His sale, Paris, Hotel Ventes Mobilières, 16-17 January 1851, lot nos 98-100 (as Andrea Orcagna, along with two companion panels);
There acquired by Louisville (according to Ebersman);
James-Alexandre, Comte de Pourtalès-Gorgier, Paris;
His sale, Paris, Hôtel Drouot, 21-22 February 1867, lot 230 (as Orcagna, along with two companion panels);
Claude Lafontaine, Paris;
By whom sold, Paris, Palais Galliera, 10 April 1962, lot 9 (as school of Benozzo Gozzoli);
With Wildenstein, New York, by 1977 (according to the Zeri website);
Private collection, New York;
With Hall & Knight, New York;
From whom acquired, 2002.
His sale, Paris, Hotel Ventes Mobilières, 16-17 January 1851, lot nos 98-100 (as Andrea Orcagna, along with two companion panels);
There acquired by Louisville (according to Ebersman);
James-Alexandre, Comte de Pourtalès-Gorgier, Paris;
His sale, Paris, Hôtel Drouot, 21-22 February 1867, lot 230 (as Orcagna, along with two companion panels);
Claude Lafontaine, Paris;
By whom sold, Paris, Palais Galliera, 10 April 1962, lot 9 (as school of Benozzo Gozzoli);
With Wildenstein, New York, by 1977 (according to the Zeri website);
Private collection, New York;
With Hall & Knight, New York;
From whom acquired, 2002.
A-F. Artaud de Montor, Considerations sur l'état de la peinture en Italie dans le quatre siècles qui ont précédé celui de Raphael, 1811, pp. 94-97 (as Andrea Orcagna);
A-F. Artaud de Montor, Peintres primitifs: Collection de tableaux rapportée d'Italie, Paris 1843, pp. 41-42 (as Andrea Orcagna);
P. Schubring, Cassoni: Truben und Truhenbilder der italienischen Frührenaissance. ein Beitrag zur Profanenmalerei im Quatrrocento, Leipzig 1915, p. 278, cat. nos. 261-163;
F. Zeri, "La Mostra 'Arte in Valdesa' a Certoldo," in Bolletino d'Arte 48 (1963): pp. 245-48 (as by the same author as a group of panels in Marradi);
Ebersman, Artaud de Montor and the Italian Primitives, MA Thesis, New York University, Institute of Fine Arts, 1966, vol II, p. 239;
G. Szabo, The Robert Lehman Collection, New York 1975, pp. 67-68;
E. Fahy, Some Followers of Domenico Ghirlandajo, 1976, p. 183 (as Master of Marradi; missing);
J. Pope-Hennessy, Italian Paintings in the Robert Lehman Collection, New York 1987, p. 194, reproduced p. 314, fig. 79 (as Master of Marradi).
A-F. Artaud de Montor, Peintres primitifs: Collection de tableaux rapportée d'Italie, Paris 1843, pp. 41-42 (as Andrea Orcagna);
P. Schubring, Cassoni: Truben und Truhenbilder der italienischen Frührenaissance. ein Beitrag zur Profanenmalerei im Quatrrocento, Leipzig 1915, p. 278, cat. nos. 261-163;
F. Zeri, "La Mostra 'Arte in Valdesa' a Certoldo," in Bolletino d'Arte 48 (1963): pp. 245-48 (as by the same author as a group of panels in Marradi);
Ebersman, Artaud de Montor and the Italian Primitives, MA Thesis, New York University, Institute of Fine Arts, 1966, vol II, p. 239;
G. Szabo, The Robert Lehman Collection, New York 1975, pp. 67-68;
E. Fahy, Some Followers of Domenico Ghirlandajo, 1976, p. 183 (as Master of Marradi; missing);
J. Pope-Hennessy, Italian Paintings in the Robert Lehman Collection, New York 1987, p. 194, reproduced p. 314, fig. 79 (as Master of Marradi).